Drama Queens, a five-star arts journal focusing on female artists

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  • November 26, 2025

    Tessa Welsch: Directing a Vision of Connection in Danny and the Deep Blue Sea

  • November 10, 2025

    Gina Vicari joins Modern Classics Theatre for “Five Lesbians Eating Quiche”

  • October 29, 2025

    Samantha Wright joins this Immersive Soirée: Modern Classics Theatre and the Absurd Delight of Five Lesbians Eating Quiche

  • October 7, 2025

    Guest writer, Judith Wolochow, reviews I AM GOING TO DIE @ the Philly Fringe.

  • September 19, 2025

    Ivy and the Poison in development for Inaugural Tour;Bringing Raw Emo-Punk Cabaret to New Audiences

  • September 2, 2025

    Khadijah Davis debuts her solo show, SHADE, at the Philadelphia Fringe Festival.

  • August 14, 2025

    PHOTO SPREAD: BLOOD ORANGE

  • July 21, 2025

    Tammy Green’s Review: A View From The Bridge by Arthur Miller at BACCA Arts Center, directed by Emily Vaeth.

  • June 18, 2025

    Anahita Monfared: A Polymath Artist Forging a Path of Disobedience and Play in NYC

  • May 28, 2025

    Franca Rosenblatt Electrifies the Stage in Ripple Effect Artists’ “AI Vs. Humanity: The Experience”

  • May 16, 2025

    Carolyn Dellinger: Peering Behind the Legend in “Tennessee Williams: Portrait of a Gay Icon”

  • May 12, 2025

    Ronni Schweitzer Embraces the Theatrical Chameleon in MCTLI’s “As Bees in Honey Drown”

  • May 9, 2025

    Naya James: Illuminating Humanity’s Crossroads in “60/40”

  • March 26, 2025

    Alyssa Simon Brings Decades of Experience to “A House Divided”

  • February 27, 2025

    Carolyn M. Brown’s “STORMÉ”: Reclaiming Queer History and Amplifying Black Lesbian Voices

  • February 27, 2025

    Anne Thompson-Scretching’s “A Lesson in Blood” Revival: A Deep Dive into Southern Gothic and Personal Triumph

  • February 17, 2025

    Erica Elsa Laros: Weaving Words, Dreams, and Ghosts

  • February 13, 2025

    Chicks In Heaven: CAROL LEE CAMPBELL’s musical play about family and faith will have an industry presentation at Open Jar Studios, New York City

  • February 13, 2025

    EXTENDED RUN! PLUS SPECIAL VDAY PERFORMANCE of (beyond) Doomsday Scrolling at the John Cullum Stage of the American Theatre of Actors

  • February 10, 2025

    Eliza Banaszak Returns to the Stage in Charles Evered’s “CLASS” for NYC Industry Presentation

  • September 19, 2024

    The Only Woman in the cast talks about OF MICE AND MEN

  • September 12, 2024

    RESURRECTION returns to the ATA

  • August 7, 2024

    Lilli, Long Island: POTUS @ Modern Classics

  • July 10, 2024

    MODERN CLASSICS THEATRE ISSUES AN ORANGE ALERT WITH POTUS, PART II

  • June 26, 2024

    Hell is MORE people: Michael Hagin’s immersive interpretation of Sartre’s NO EXIT continues the 80th anniversary (interview: Gigi Principe)

  • June 4, 2024

    Kaitlyn Clark reporting from the ATA: Sarah Vindigni’s “AGENCY” Announces an Extended Run at the American Theatre of Actors 

  • June 3, 2024

    LOUR YASIN: International Part II

  • April 30, 2024

    oPENING this week: HOW TO BREAK UP A WEDDING

  • April 15, 2024

    Two Thousand Miles prepares for an Off-Broadway run.

  • April 12, 2024

    RACHEL SCHULTE REMEMBERS WHY SHE WROTE “THE MEMORY OF”

  • March 22, 2024

    The Frenemy Within: Jim Catapano reviews “Hi, My Name Is…” at United Solo

  • March 22, 2024

    A Culinary Artist & Her Art: Diana Saguil part II

  • February 29, 2024

    CHRISTINE STODDARD, stage and screen actress, and fine artist

  • February 13, 2024

    Alyssa Williams: Shared Struggles Set to Music

  • January 30, 2024

    15 Minutes with Davina!

  • January 23, 2024

    Christine McClure on the Art of Acting, Part I

  • January 22, 2024

    DQR Featured Interview: Et Alia Theater — Powerful, Compassionate, Intelligent, Talented Women making a statement

  • January 17, 2024

    “Two Thousand Miles” heads for New York from Florida

  • January 12, 2024

    Katja Minaev shares the challenges and perks of being a part of a new experimental immersive theater project: Untitled, 1970

  • December 4, 2023

    Callie Stribling is at the ATA with Wilbur’s New Wife

  • November 15, 2023

    Jen Bush’s series on Sound Designer, Haina Zhou, Part I

  • November 13, 2023

    Jen Bush and Jay Michaels chat with Lielle and Michal Burk about the artistic “Choices” we make.

  • October 30, 2023

    Part 2 of the 2-person-in-one interview with Katy and Katherine by Jen Bush

  • October 13, 2023

    MEET THE COMPANY OF “CHOICES:” Amy Herzberg

  • October 13, 2023

    A Stormé approaches: Meet the Cast part II

  • September 12, 2023

    Elena Ouspenskaia: An Artist Around the World

  • September 6, 2023

    Amanda Cannon returns to the ATA in an Amy Losi play

  • September 5, 2023

    Bonni Suval: More than a decade as a Cockette

  • August 22, 2023

    Emma Schwartz plants a Cherry Tree

  • August 21, 2023

    Lauren McAuliffe: directing such real topics … is surreal!

  • August 16, 2023

    Anna Medley’s plan: interact and react!

  • August 14, 2023

    Knockout Performances Help Bobcat Moretti

  • August 7, 2023

    A Dose of History – and the Truth – on Stage

  • July 14, 2023

    Talking about “Shut Up Martha”

  • June 19, 2023

    Cinderella is a Knight in Shining Armor

  • June 8, 2023

    Cle Holly hears music and writes plays

  • June 6, 2023

    Broadway alum, Janet Aldrich, on “Bullet Points”

  • May 31, 2023

    Lydia Kalman: Art is a Family Tradition!

  • May 18, 2023

    DQR-Female Artist of the Month: Lauryn Withnell

  • May 18, 2023

    Part II of Carolyn Brown explores Storme DeLarverie

  • May 16, 2023

    Mary Mossberg: happy to ROAR again

  • May 8, 2023

    Riding the fan-fantasy on stage.

  • May 5, 2023

    The Cougars create a Ripple Effect

  • April 25, 2023

    Gianna directs the Cowgirls

  • April 25, 2023

    ARTISTS SPOTLIGHT: DESI MORENO-PENSON

  • March 27, 2023

    Artist Spotlight: Katy Copeland … actor, dancer/choreographer and now … playwright

  • March 9, 2023

    Nicola Gorham: “I don’t consider being trans controversial.”

  • March 8, 2023

    Debbie Kay Cook(s), Writes, Lectures … INSPIRES!

  • February 28, 2023

    artist spotlight: Dale Baron

  • February 23, 2023

    Artist Spotlight: Maera Daniel Hagage

  • February 20, 2023

    You’re on “Top of the World” when “Superstar” Judy sings Carpenters songs and she’s “Only Just Begun!”

  • February 9, 2023

    Jamibeth leads the way

  • February 1, 2023

    Artist Spotlight: Samantha Hernandez

  • December 20, 2022

    Chansons de Stéfanie! Partie Trois

  • November 22, 2022

    Shani Tabia: Musical Notes, Historical Notes

  • November 1, 2022

    Laurie Rae Waugh: My Relationship with prolific author, Irving Greenfield. Part II – Going It Alone

  • October 26, 2022

    Noy Marom is out of her comfort zone in the new short “Ring” 

  • October 17, 2022

    Experiencing Ayanda! (Part II): Being an Ethnic International Woman

  • October 14, 2022

    WHAT’S SO FUNNY: PANDEMIC EDITION PART 3

  • October 4, 2022

    Glenora Blackshire reviews “Auditioning for Eternity”

  • October 4, 2022

    Julia Fein: “It’s all in the details.”

  • September 1, 2022

    Carla Susan Lewis on “Auditioning for Eternity” 

  • August 30, 2022

    Playing Famous: Leslie Lynn Meeker on Carson McCullers in Carson & Huston

  • August 11, 2022

    A SYMPHONY FOR PORTLAND: Sarah Rosa

  • August 8, 2022

    A SYMPHONY FOR PORTLAND: Ashlyn Prieto

  • August 4, 2022

    A Symphony for Portland: Kristen Smith

  • July 18, 2022

    Shreya Rawat: The Body as an Artform

  • June 20, 2022

    MICHAEL HAGINS ON THEATRE ROW: A Minute with Mary

  • June 20, 2022

    MICHAEL HAGINS ON THEATRE ROW: Samantha Simone’s recipe for success

  • June 13, 2022

    Amanda Cannon: Start with Family

  • June 1, 2022

    Ventura means Fortune!

  • May 12, 2022

    The Theatre Tattler

  • May 2, 2022

    Entrepreneur of the Month: Cate Cammarata

  • April 27, 2022

    Julianna Mitchell experiments!

  • April 13, 2022

    Natalie Ahn: All Amounts of Empathy

  • April 13, 2022

    Kate McConnell: captain of Sassafras & The Captain!

  • April 13, 2022

    Jess Kantorowitz does it all!

  • April 13, 2022

    SHALOM!

  • April 4, 2022

    A Minute with Frances Lozada

  • April 4, 2022

    A happy “Birthday”

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Drama Queens, a five-star arts journal focusing on female artists

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